Following my previous experimentations with oil pastel and experimental animation representing visual music, this nonnarrative

film explores these concepts with continuity and in a more developed perspective. The protagonist, Marguerite,

finds herself inside the singing voice. She is confronted with chiaroscuro, a concept of opposition between contrasted

dark and light elements that are found in the visuals, the lighting, and the trained lyrical voice. As she contemplates the

filling sensation of the human singing voice, the minimalist animation identifies her slightest reactions in contrast with the

density of the environment. This poetic atmosphere offers an approach to singing that allows contemplation and

fascination to find answers in both the visual and the musical, the same way children look at the world with an impressive curiosity.