In many languages, to see means to understand. As in seeing that humanity begins where the obsession with comfot ends. In Wire, artists from various forms identify with refugees. They also want their audience to open their eyes, to throw out fear and begin seeing!
The Wire (original title Žica) is inspired by the refugee crisis that has been going on for a long time. Young people in Europe are not too interested in this problem of our society.
I made this movie so that with a little bit of luck I could get the attention of all of us to the fact that there is a lot of people who are going throug much bigger problems than us and that they are not somewhere far away but mixed up with us, and that we could easily end up in a situation similar to theirs.
In this movie Larisa Venediktova, a famous Ukrainian dancer is one of the most important roles, as she guides us through the story. The film also features her daughter Ksusha Venediktova as a mathematician, conceptual artist Nenad Bračić, composer Tatjana Gerdec, Miroslav Šarbanović musician, also a part of the Serbian roman minority, and me, Milica Spasojevic as a singer.
In many languages, to see means to understand. As in seeing that humanity begins where the obsession with comfot ends. In Wire, artists from various forms identify with refugees. They also want their audience to open their eyes, to throw out fear and begin seeing!
In many languages, to see means to understand. As in seeing that humanity begins where the obsession with comfot ends. In Wire, artists from various forms identify with refugees. They also want their audience to open their eyes, to throw out fear and begin seeing!
Authors statement
The Wire (original title Žica) is inspired by the refugee crisis that has been going on for a long time. Young people in Europe are not too interested in this problem of our society.
I made this movie so that with a little bit of luck I could get the attention of all of us to the fact that there is a lot of people who are going throug much bigger problems than us and that they are not somewhere far away but mixed up with us, and that we could easily end up in a situation similar to theirs.
In this movie Larisa Venediktova, a famous Ukrainian dancer is one of the most important roles, as she guides us through the story. The film also features her daughter Ksusha Venediktova as a mathematician, conceptual artist Nenad Bračić, composer Tatjana Gerdec, Miroslav Šarbanović musician, also a part of the Serbian roman minority, and me, Milica Spasojevic as a singer.
Categories:
April 2017
Conutry: Serbia
Video format: HD CAM
Ratio: 16/9
Resolution: 2K
Projection speed: 25
Sound: Stereo
Standard: PAL
Shooting format: 1:1,77
Screening format: 1:1,77
Genre: art-documentary
Duration: 9:55
Language: non (there are no dialogs or comments)
Subtitles: non
Silent film: no (there is the music)
Scriptwriter and director: Milica Spasojevic
Producers: Vladislava Vojnovic, Milos Spasojevic
Cinematographers: Zoran Culic, Milos Spasojevic
Editor: Marija Kovacina
Composer: Tatjana Gerdec Mrdja
Sound designer: Velibor Hajdukovic
Art designer: Nenad Bracic
Sales/Distribution: non
Syinopsis:
In many languages, to see means to understand. As in seeing that humanity begins where the obsession with comfot ends. In Wire, artists from various forms identify with refugees. They also want their audience to open their eyes, to throw out fear and begin seeing!
Vimeo:
https://vimeo.com/205893983
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