Spirals is a document which offers an alternative to the linear perception of processes. 
As such, Spirals attempts to shift the weight from the external to the internal, call upon the infinite in our approach to ourselves and mark this approach as the highest goal. 
Spirals treats adolescence as a "generator event" since it is the time of the initial discovery of the Self. This discovery reveals the inner conflicts that we'll deal with for the rest of our lives, from a different angle and at a different intensity each time. And, in apposition to the inner struggle, the ability to observe ourselves is that which gives us a unique viewpoint. 
And observation is Art. 
In this sense, Spirals cries out "Art or Die!" when it tells the coming-of-age story of four unusually gifted girls who had the luck to find an artistic environment which enabled them to observe themselves from a beneficial, enabling place.

Usually, as passive viewers, we are exposed to quite a few audio-visual reflections that have nothing to do with us but soon become our aspirations (images that the media dictates subject to fashion and norms). 
Spirals proposes the opposite process: Through theatrical and cinematic means, the heroines turn their gaze from the outside to the inside and reflect themselves through themselves. These reflections develop over four years of documentation and create a spiral line which becomes increasingly refined, and its success is in the closing of inner gaps rather than reaching external goals.

Spirals follows four girls who join forces in their quest for their inner voice. A quest that, unfortunately, is not typical of teenage girls who are usually more worried about pleasing others than listening to their inner voice and acting accordingly. This kind of quest is especially rare among girls from single-parent immigrant families living under the poverty line.