Similarly Karma 1, presented at the 54° Venice Biennale, Pneuma (breath) analyzes the threshold between immobility and transformation, highlighting the slow mutation of an ancient olive tree, represented in the detail of the trunk as opposed to analog face an old farmer. The variety of forms of the bark of the olive is, perhaps more than any other plant species, a tree that is an almost instinctive anthropomorphic equivalence, in the face of a wrinkled old farmer. The morphing of the face and the winding wooden formations are a metaphor for the constant sacrifice that the two forms of life (man-tree) make during their lifetime. Organic forms of powerful symbolic value, absorbed into the relentless cycle of nature, where everything changes and nothing is destroyed.
Runtime:
00:02:20
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Similarly Karma 1, presented at the 54° Venice Biennale, Pneuma (breath) analyzes the threshold between immobility and transformation, highlighting the slow mutation of an ancient olive tree, represented in the detail of the trunk as opposed to analog face an old farmer. The variety of forms of the bark of the olive is, perhaps more than any other plant species, a tree that is an almost instinctive anthropomorphic equivalence, in the face of a wrinkled old farmer. The morphing of the face and the winding wooden formations are a metaphor for the constant sacrifice that the two forms of life (man-tree) make during their lifetime. Organic forms of powerful symbolic value, absorbed into the relentless cycle of nature, where everything changes and nothing is destroyed.
Similarly Karma 1, presented at the 54° Venice Biennale, Pneuma (breath) analyzes the threshold between immobility and transformation, highlighting the slow mutation of an ancient olive tree, represented in the detail of the trunk as opposed to analog face an old farmer. The variety of forms of the bark of the olive is, perhaps more than any other plant species, a tree that is an almost instinctive anthropomorphic equivalence, in the face of a wrinkled old farmer. The morphing of the face and the winding wooden formations are a metaphor for the constant sacrifice that the two forms of life (man-tree) make during their lifetime. Organic forms of powerful symbolic value, absorbed into the relentless cycle of nature, where everything changes and nothing is destroyed.
Similarly Karma 1, presented at the 54° Venice Biennale, Pneuma (breath) analyzes the threshold between immobility and transformation, highlighting the slow mutation of an ancient olive tree, represented in the detail of the trunk as opposed to analog face an old farmer. The variety of forms of the bark of the olive is, perhaps more than any other plant species, a tree that is an almost instinctive anthropomorphic equivalence, in the face of a wrinkled old farmer. The morphing of the face and the winding wooden formations are a metaphor for the constant sacrifice that the two forms of life (man-tree) make during their lifetime. Organic forms of powerful symbolic value, absorbed into the relentless cycle of nature, where everything changes and nothing is destroyed.
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Parachute Light Zero Act III, aprile 2016, Paris (FR)
Cinema Perpetuum Mobile, aprile 2016, Minsk (BY)
International Nature Film Festival Gödöllo, giugno 2016 Gödöllo (H)
MACO - Mostra de Cinema Orgânico, giugno 2016 Santa Rita (BR)
20° AVANCA 2016 FILM FESTIVAL, luglio 2016 Avanca (P)
4° CFF, 2016 Caselle in Pittari, SA
INTERMEDIACIONES Muestra de videoarte y video experimental, ottobre 2016 - Medellín CO
6. ECOFILM FESTIVAL Festival Int. de cortometrajes ambientales, ottobre 2016 - Ciudad de México MX
Kolkata International Wildlife & Environment Film Festival, novembre 2016, Kolkata, India
III CINEMISTICA, nov-dic 2016, Granada ESP
ESPACIO ENTER, dicembre 2016, Tenerife, Canarias
FIVA 2016, dicembre 2016, Buenos Aires, AR
MADATAC 2017 [HUMANOTROPIA / HUMANTROPE], gennaio 2017, Madrid ESP
*Menções Especiais* 20° AVANCA 2016 FILM FESTIVAL, Avanca (P)
*1st Award* 4° CFF 2016, Caselle in Pittari, SA (IT)
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