December 10, 2018
March 01, 2019
July 01, 2019
September 01, 2019
October 01, 2019
October 30, 2019
November 23, 2019 to November 24, 2019
The main goal of Cinema Los Angeles is to present the most exciting and inspiring new works on film being made today.
And equally, to promote an understanding and appreciation of the world through moving pictures.
SUPPORT FOR INDEPENDENT STORYTELLERS
At the Festival’s core is a commitment to champion the creation of unique work by individual storytellers.
Through ticketed events, open applications, and by invitation, we offer workshops with accomplished professionals, and ongoing support to advance the development and production of independent work.
We encourage artists from around the world to apply for our Programs.
The Feature Film Program embraces the discovery and development of independent filmmakers, encouraging a rigorous creative process with a focus on original and deeply resonant storytelling.
The Documentary Film Program supports the development, production and presentation of nonfiction films around the world.
We have witnessed an explosion in the opportunities available for writers developing episodic content for Internet use and online platforms.
Open to all artists, and held around the country, Workshops and Day Labs offer participants premium resources and expert advice on topics ranging from screenwriting to digital distribution.
These intensive versions of our Lab experience provide opportunities for artists to be inspired in their storytelling and empowered to advance their projects to the next phase.
Awards & Prizes:
- Best Film
- Best Director
- Best Screenplay
- Best Actor
- Best Actress
- Best Feature
- Best Documentary Feature
- Discovery Award
- Best Short
- Best Short
- Best Music Video
Rules & Terms:
1. Submission Deadlines
Early entry is encouraged but in no way guarantees acceptance.
2. Submission Format
Films must be submitted via online screener through World Film Presentation.
3. Submission Eligibility
- There is no premiere policy for short films and music videos.
- Works-in-progress and films with distribution are accepted.
4. Premiere Status
- There is no Premiere policy for short films and music videos, they may have screened at other Festivals and/or online.
5. Submission Fee
All submissions for Cinema Los Angeles are to be paid by credit card. The submission fee is non-refundable.
All shipping and postage costs for the submission package and, if the film is selected for the Festival, for all DVDs and additional materials sent to and returned from Cinema Los Angeles must be borne by the submitting party. Cinema Los Angeles will not accept Cash On Delivery shipments. Cinema Los Angeles will not absorb any fees incurred in USA customs. All charges must be pre-paid. Cinema Los Angeles will not accept submissions if customs and delivery fees have not been paid by the submitting party.
Submission packages from outside the USA must be labeled 'Trade Sample' on any customs label and, for customs purposes, must be given a value of no more than US$10.
7. Selection of Films
Submissions are reviewed and selected under the following criteria:
- Quality of narrative and production values
- Independent nature of the production
Successful submissions will receive an online Filmmaker Festival Pack that will include important information on shipping the DCP to the Festival, press and publicity, guest accreditation, contact information and how to make the most of participating in the Festival.
9. Festival Screenings
Selected films MUST provide a Digital Cinema Package (DCP) in order to be screened at the Cinema Los Angeles, as well as a back-up Blu-ray. The film title MUST be clearly labeled on the DCP and Blu-ray.
Blu-ray will be used as back-up only. Please clearly label whether your film is PAL or NTSC. Our facilities do NOT support DVD, tape, 35mm, Super 16mm, 8mm or double-head formats.
A selected DCP must be received at Cinema Los Angeles no later than 30 days prior to its scheduled screening date.
Our partner cinema uses pin sharp Sony 4K Digital Cinema projection, making DCP screenings look incredible. Cinema Los Angeles aspires to provide the best quality projection possible but will not be held liable for any failure in the technical quality of the projection, nor will fees be refunded in any such case. Cinema Los Angeles assumes that the submitting party or filmmaker(s) or entrant(s) or print source company has insured for damage and loss of the festival DCP.
Screenings are scheduled during the Festival at the discretion of Cinema Los Angeles. Whilst every effort will be made to adhere to the published schedule, USA reserves the right to make changes at any time for any reason. Festival will not be liable for any costs claimed as a result of a change in scheduling.
No film may be withdrawn from the festival program after its selection.
11. Festival Awards
Jury prizes for Feature Films: Best Film, Best Director, Best Screenplay, Best Actor, Best Actress, Discovery Awards, Best USA Film.
Jury prizes for Short Films: Best Short, Best UK Short.
If shortlisted for a Jury prize, additional preview copies of the film must be provided or authorised by the submitting party if requested by Cinema Los Angeles.