AZUL (Blue) is dead. EMANUEL, his father, falls into a deep depression. He has separated from his wife SOFIA and vitality, abandoning himself completely. The weeks go by and cannot recover and SOFIA is who has been able to find a solution to the anguish. She has visited a place that changes everything: THE FOREST. EMANUEL travels to this fantastic place aside their prejudices and their rational mind. There he is reunited with his daughter and himself. Find what he was looking for and a reason to continue living.
It pointed to compose a film with clear structure (from the script) and start classic scene (from the film). In the story was generated a duality between technical structure and poetic, almost without dialogue.
To achieve this we rely on a storyboard made shoot by shoot, in set was that we had already thought and spinning. The same work was carried out with the acting level, he had deepened and concepts previously acquired. So we opted for a cast with experience and interesting qualities, who understood the different levels of story cast.
The desire was always that each plane would be strong and concise enough, without long dialogues, the story was told with every detail of the plane and what the camera chooses show.
AZUL (Blue) is dead. EMANUEL, his father, falls into a deep depression. He has separated from his wife SOFIA and vitality, abandoning himself completely. The weeks go by and cannot recover and SOFIA is who has been able to find a solution to the anguish. She has visited a place that changes everything: THE FOREST. EMANUEL travels to this fantastic place aside their prejudices and their rational mind. There he is reunited with his daughter and himself. Find what he was looking for and a reason to continue living.
It pointed to compose a film with clear structure (from the script) and start classic scene (from the film). In the story was generated a duality between technical structure and poetic, almost without dialogue.
To achieve this we rely on a storyboard made shoot by shoot, in set was that we had already thought and spinning. The same work was carried out with the acting level, he had deepened and concepts previously acquired. So we opted for a cast with experience and interesting qualities, who understood the different levels of story cast.
The desire was always that each plane would be strong and concise enough, without long dialogues, the story was told with every detail of the plane and what the camera chooses show.
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